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Panasonic Lumix DMC-LX5 review

Our Rating :
Price when reviewed : £400
inc VAT

Panasonic’s Lumix DMC-LX5 replaces the LX3 as the ultimate enthusiast compact, but at around £400 it’s not cheap. If the LX5’s excellent high ISO performance, great video mode and versatile 24-90mm lens sound attractive, it’s the best compact in town, but otherwise the LX3 is still a great camera and it’s almost £100 cheaper.


1/1.63in 10.1-megapixel sensor, 3.8x zoom (24-90mm equivalent), 271g

Panasonic’s Lumix DMC-LX3 was widely regarded as one of the best compact cameras at any price. We were so impressed with it that we gave it our highly coveted Ultimate award. The company recently launched its replacement, the Lumix DMC-LX5, and we’ve been eager to see how it would compare.

One quick look at the LX5’s specifications and features confirms that, like the LX3, the new model is aimed at photography enthusiasts rather than beginners. There was little wrong with the LX3, but Panasonic hasn’t rested on its laurels and has attempted to make improvements where possible.

Panasonic Lumix DMC-LX5 front

The LX5 has a newly designed 3.8x (24-90mm f/2.0-3.3) optical zoom Leica DC Vario-Summicron lens, an upgraded 10-megapixel sensor, a brand new processing engine and a number of interface changes designed to make the camera easier to use. It’s no surprise, then, that the Lumix DMC-LX5 is now Panasonic’s highest-specified compact camera.

At a first glance, the LX5’s body looks almost identical to the LX3 – the most visible change is the thicker hand grip that makes the camera slightly easier to hold. There are some subtle differences to the button layout, with the most noticeable being the introduction of a clickable jog dial, which replaces the Q.Menu joystick.

Panasonic Lumix DMC-LX5 back

A consequence of this is that the small thumb grip on the LX3 is no more and your thumb now naturally rests directly on the jog dial. It makes the camera slightly less comfortable to hold, but it means it’s far quicker to change camera settings.

The other major changes are the introduction of a direct movie recording button – something you’re likely to use as the LX5 has great video quality. Meanwhile, the LX3’s dedicated review mode switch has been replaced with an image review button. The LX5 can record 720p HD video at 30fps using the AVCHD Lite codec with mono audio, which compares favourably to the LX3’s 720p Motion JPEG recording at 24fps with mono audio.

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Basic Specifications

Rating *****
CCD effective megapixels 10.1 megapixels
CCD size 1/1.63in
Viewfinder optional optical/electronic
LCD screen size 3.0in
LCD screen resolution 460,000 pixels
Articulated screen No
Live view Yes
Optical zoom 3.8x
Zoom 35mm equivalent 24-90mm
Image stabilisation optical, lens based
Maximum image resolution 3,648×2,736
Maximum movie resolution 1280×720
Movie frame rate at max quality 25fps
File formats JPEG, RAW, QuickTime (AVCHD Lite), QuickTime (Motion JPEG)


Memory slot SDXC
Mermory supplied 40MB internal
Battery type 3.6V 1,250mAh Li-ion
Battery Life (tested) 400 shots
Connectivity USB 2.0 Hi-Speed, HDMI
HDMI output resolution 1080i
Body material Aluminium
Lens mount N/A
Focal length multiplier N/A
Kit lens model name N/A
Accessories USB and AV cables, neck strap, RAW conversion software
Weight 271g
Size 66x110x43mm

Buying Information

Warranty 1 year
Price £400

Camera Controls

Exposure modes Program, Aperture Priority, Shutter Priority, Manual, Program Shift, Auto, 22 scenes
Shutter speed 60 to 1/4000 seconds
Aperture range f/2.0-f/8.0 (wide) to f/3.3-f/8.0 (tele)
ISO range (at full resolution) 80 to 12,800
Exposure compensation +/- 3EV
White balance auto, 5 presets, 2 custom presets, manual
Additional image controls white balance fine tune, saturation, contrast, sharpness, noise reduction
Manual focus Yes
Closest macro focus 1cm
Auto-focus modes multi, centre, tracking, continuous
Metering modes multiple, centre weighted, centre
Flash auto, red-eye reduction, forced, slow-sync, flash synchro
Drive modes single, continuous, self-timer